The Great Swindle
The Great Swindle (2007-ongoing) looks at paper money as a platform of political propaganda, exploiting iconic pictures to bolster power and embed imagery in the national consciousness. The series journeys through history exploring iconography and idealism across a cultural spectrum, from model planes and boats inspired by Communist China's food coupons of the 1950s and 1960s to portraits of fallen dictators. On a formal level, Montoya perfects his fabrication process, using artworks meticulously constructed of banknotes as aesthetic representations of his research and keen observation. In 2016 - 2017, The Great Swindle is reprised as a major institutional show curated by José Luis Falconi at the Art Museum of the Americas.